2016-17
multi-media installation
analog / digital photography, video, website, sound, new media, sculpture
With the support of the Edith Stone and Walter King Memorial Prize and
Rawlings Presidential Research Scholars Fellowship, Cornell University
THESIS I Mid-term Installation
Film projection on cream muslin, mixed media / altered book, installation, black and white RC prints
Department of Art, Olive Tjaden Old Tower Staircase, Cornell University, October 2016
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Microcosms + Reflection Pools. Black and white print details, RC matte, 5" x 7." Shot in Serbia and Bosnia and Herzegovina, Summer 2016
Department of Art, Olive Tjaden Old Tower Staircase, Cornell University, October 2016
 Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |  Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |  Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |  Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |
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 Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |
Film loop Projected on Suspended Cream Muslin. Detail stills, shot in Serbia and Bosnia and Herzegovina, Summer 2016
Department of Art, Olive Tjaden Old Tower Staircase, Cornell University, October 2016
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THESIS I Final Project
B.F.A. Thesis Group Exhibition, Olive Tjaden Gallery, November - December 2016
I CAN'T SLEEP THE DOGS ARE HOWLING film loop, mid-term installation photos on canvas, simulaKruma manuscript, QR code to online interactive book
I CAN'T SLEEP THE DOGS ARE HOWLING (simulaKruma, Verse 16)
B.F.A. Thesis Group Exhibition, Olive Tjaden Gallery, November - December 2016
Video poem excerpt to interactive book, film loop, HD video, color, silence, 5:57
Digital photography; samples of mobile photos
Instagram website-feed
3D scanning samples relating to object memory; to be fabricated and built the fall of 2016
Above: wired mesh is scanned at the entrance of the Tunnel of Hope, Sarajevo, Bosnia and Herzegovina (June 2016)
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Process: current works in progress. Department of Art, Cornell University (Fall 2016 - Spring 2017).
Mentors | Cornell University
Stephanie Owens, MFA, Department of Art
Renate Ferro, Michael Ashkin, Maria Park, BFA Thesis I Mentors, Department of Art
Thomas J. Campanella, PhD, Department of City and Regional Planning
Wayles Browne, PhD, Slavic Studies, Department of Linguistics
Suzanne Lanyi Charles, PhD, Department of City and Regional Planning
On-site Mentors | Bosnia and Herzegovina
Sarajevo // Senka Ibrisimbegovic, PhD, Department of Architecture, University of Sarajevo
Mostar // Senada Demirovic, Co-Founder of Center ADA Mostar, Urban Planning Advisor, Cultural Heritage Protection