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    SIMULAKRUMA 

    2016-17

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    multi-media installation 

    analog / digital photography, video, website, sound, new media, sculpture

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    With the support of the Edith Stone and Walter King Memorial Prize and

    Rawlings Presidential Research Scholars Fellowship, Cornell University

    "Simulakruma," midterm installation; multi-media. Olive Tjaden Old Tower, Cornell University.
    Film loop projected on cream muslin.
    Film loop projected on cream muslin.
    Film loop projected on cream muslin.
    Mixed media table and installation; alternative processes and artist intervention.
    Mixed media table and installation; alternative processes and artist intervention.
    Mixed media table and installation; alternative processes and artist intervention.
    Mixed media table and installation; alternative processes and artist intervention.
    RC b/w photo series. Memory as a reflection pool-- the photobook image. 5" x 7" vertical juxtapositions.
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    THESIS I Mid-term Installation

    Film projection on cream muslin, mixed media / altered book, installation, black and white RC prints

    Department of Art, Olive Tjaden Old Tower Staircase, Cornell University, October 2016

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    Microcosms + Reflection Pools. Black and white print details, RC matte, 5" x 7." Shot in Serbia and Bosnia and Herzegovina, Summer 2016

    Department of Art, Olive Tjaden Old Tower Staircase, Cornell University, October 2016

    Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory.

    Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory.

    Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory.

    Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory.

    Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory.

    Film loop Projected on Suspended Cream Muslin. Detail stills, shot in Serbia and Bosnia and Herzegovina, Summer 2016

    Department of Art, Olive Tjaden Old Tower Staircase, Cornell University, October 2016

    THESIS I Final Project

    B.F.A. Thesis Group Exhibition, Olive Tjaden Gallery, November - December 2016

    I CAN'T SLEEP THE DOGS ARE HOWLING film loop, mid-term installation photos on canvas, simulaKruma manuscript, QR code to online interactive book 

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    I CAN'T SLEEP THE DOGS ARE HOWLING (simulaKruma, Verse 16)

    B.F.A. Thesis Group Exhibition, Olive Tjaden Gallery, November - December 2016

    Video poem excerpt to interactive book, film loop, HD video, color, silence, 5:57

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    Digital photography; samples of mobile photos

    Instagram website-feed

    3D scanning samples relating to object memory; to be fabricated and built the fall of 2016

    Above: wired mesh is scanned at the entrance of the Tunnel of Hope, Sarajevo, Bosnia and Herzegovina (June 2016)

    Process: current works in progress. Department of Art, Cornell University (Fall 2016 - Spring 2017).

    Mentors | Cornell University

    Stephanie Owens, MFA, Department of Art

    Renate Ferro, Michael Ashkin, Maria Park, BFA Thesis I Mentors, Department of Art

    Thomas J. Campanella, PhD, Department of City and Regional Planning

    Wayles Browne, PhD, Slavic Studies, Department of Linguistics

    Suzanne Lanyi Charles, PhD, Department of City and Regional Planning

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    On-site Mentors | Bosnia and Herzegovina

    Sarajevo // Senka Ibrisimbegovic, PhD, Department of Architecture, University of Sarajevo

    Mostar // Senada Demirovic, Co-Founder of Center ADA Mostar, Urban Planning Advisor, Cultural Heritage Protection