2016-17
multi-media installation; in progress
analog / digital photography, video, website, sound, new media, sculpture
With the support of the Edith Stone and Walter King Memorial Prize and
Rawlings Presidential Research Scholars Fellowship, Cornell University
Moving image stills; experimental documentary
full-length feature film, multi-channel video, color, sound
Digital photography; samples of mobile photos
website-feed
3D scanning samples relating to object memory; to be fabricated and built the fall of 2016
Above: wired mesh is scanned at the entrance of the Tunnel of Hope, Sarajevo, Bosnia and Herzegovina (June 2016)
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Process: current works in progress. Department of Art, Cornell University (Fall 2016).
Experimental installation: film projection on cream muslin, mixed media / altered book, installation, black and white RC prints
current works in progress. Department of Art, Olive Tjaden Old Tower Staircase, Cornell University (Fall 2016).
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The Memory as Photobook: The Microcosms of Reflection Pools: close-ups, black and white RC prints, 5" x 7." Shot in Serbia and Bosnia and Herzegovina, Summer 2016. Department of Art, Olive Tjaden Old Tower Staircase, Cornell University (Fall 2016).
 Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |  Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |  Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |  Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |
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 Experimental film loop; digitized analog film for installation, two-channel video. The left sequence is a recording of the experience leading up to the decision of scanning a 3D object within the environment of the moving image. The right sequence is "spit-scan" of 3D machine translation, in fragmenting memory as cross-sections of the environment, rather than a still photograph or index of memory. |
Experimental film loop in installation: close-ups, 35mm analog film, and digital video. Shot in Serbia and Bosnia and Herzegovina, Summer 2016. Department of Art, Olive Tjaden Old Tower Staircase, Cornell University (Fall 2016).
Mentors | Cornell University
Stephanie Owens, MFA, Department of Art
Thomas J. Campanella, PhD, Department of City and Regional Planning
Wayles Browne, PhD, Slavic Studies, Department of Linguistics
Suzanne Lanyi Charles, PhD, Department of City and Regional Planning
On-site Mentors | Bosnia and Herzegovina
Sarajevo // Senka Ibrisimbegovic, PhD, Department of Architecture, University of Sarajevo
Mostar // Senada Demirovic, Co-Founder of Center ADA Mostar, Urban Planning Advisor, Cultural Heritage Protection